Metadata
| 000 -Etiqueta do registo |
|---|
| campo de controlo de comprimento fixo |
03538nam0a22002890004500 |
| 001 - Identificador do registo |
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| Campo de controlo |
156002 |
| 010 ## - ISBN |
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| Número (ISBN) |
0195174739 |
| 100 ## - Dados Gerais de Proc. |
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| Dados gerais de processamento |
20090214a2005 k y0pory50 ba |
| 101 0# - Língua da publicação |
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| Língua do texto,banda sonora,etc. |
Inglês |
| 102 ## - País de Publicação |
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| País de publicação |
Portugal |
| 200 1# - Título |
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| Título próprio |
The Composer As Intellectual Music and Ideology in France, 1914-1940 |
| Informação de outro título |
music and ideology in France 1914-1940 |
| Primeira menção de responsabilidade |
Jane F Fulcher |
| Outras menções de responsabilidade |
Jane F. Fulcher |
| 210 ## - Publicação, Distribuição |
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| Lugar da edição,distribuição,etc. |
[s.l] |
| Nome do editor,distribuidor,etc. |
Oxford University Press, USA |
| Data da publicação,distribuição,etc. |
2005 |
| 215 ## - Descrição física |
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| Descrição física |
488p. |
| 330 ## - Sumário ou Resumo |
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| Texto da nota |
In The Composer as Intellectual, musicologist Jane Fulcher reveals the extent to which leading French composers between the World Wars were not only aware of but also engaged intellectually and creatively with the central political and ideological issues of the period. Employing recent sociological and historical insights, she demonstrates the extent to which composers, particularly those in Paris since the Dreyfus Affair, considered themselves and were considered to be intellectuals, and interacted closely with intellectuals in other fields. Their consciousness raised by the First World War and the xenophobic nationalism of official culture, some joined parties or movements, allying themselves with and propagating different sets of cultural and political-social goals. Fulcher shows how these composers furthered their ideals through the specific language and means of their art, rejecting the dominant cultural exclusions or constraints of conservative postwar institutions and creatively translating their cultural values into terms of form and style. This was not only the case with Debussy in wartime, but with Ravel in the twenties, when he became a socialist and unequivocally refused to espouse a narrow, exclusionary nationalism. It was also the case with the group called "Les Six, "who responded culturally in the twenties and then politically in the thirties, when most of them supported the programs of the Popular Front. Others could not be enthusiastic about the latter and, largely excluded from official culture, sought out more compatible movements or returned to the Catholic Church. Like many French Catholics, they faced the crisis of Catholicism in the thirties when the church not only supported Franco, but Mussolini's imperialistic aggression in Ethiopia. While Poulenc embraced traditional Catholicism, Messiaen turned to more progressive Catholic movements that embraced modern art and insisted that religion must cross national and racial boundaries. Fulcher demonstrates how closely music had become a field of clashing ideologies in this period. She shows also how certain French composers responded, and how their responses influenced specific aspects of their professional and stylistic development. She thus argues that, from this perspective, we can not only better understand specific aspects of the stylistic evolution of these composers, but also perceive the role that their art played in the ideological battles and in heightening cultural-political awareness of their time. |
| 606 ## - Nome comum |
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| Koha Internal code |
13145 |
| Elemento de entrada |
Composers |
| 606 ## - Nome comum |
|---|
| Koha Internal code |
38406 |
| Elemento de entrada |
Music - History and criticism |
| 606 ## - Nome comum |
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| Koha Internal code |
38474 |
| Elemento de entrada |
Music - Political aspects |
| 606 ## - Nome comum |
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| Koha Internal code |
38478 |
| Elemento de entrada |
Music - Social aspects |
| 676 ## - CDD |
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| Notação |
780/.944/09041 |
| 680 ## - Classif. Bib. do Congresso |
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| Notação |
ML270.5.F83 2005 |
| 700 0# - Responsabilidade principal |
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| Koha Internal Code |
148197 |
| Palavra de ordem |
Jane F Fulcher |
| 702 0# - Responsabilidade secundária |
|---|
| Koha Internal Code |
148198 |
| Palavra de ordem |
Jane F. Fulcher |
| 801 ## - Fonte de origem |
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| País |
Portugal |
| Agência |
CESEM |
| Data da última transacção |
20090214 |
| 859 ## - Imagem da capa |
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| Uniform Resource Location (URL) |
/Users/cesem/Library/Application Support/Book Collector/Images/The Composer As Intellectual: Music and 13723_f.jpg |
| 090 ## - Números de controlo do sistema (Koha) |
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| Número biblioitem do Koha (gerado automaticamente) |
156002 |
| 942 ## - Elementos de entrada adicionados (Koha) |
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| Suprimido |
Disponível no OPAC |
| Tipo de item no Koha |
Book |
| 999 ## - Dados legados |
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| Identificador de migração |
152544 |
| Data de migração |
2021-07-08 |
| Base de dados legada |
UNL-FCSH - GLOBAL |
