Three Modes of Perception in Mozart The Philosophical, Pastoral, and Comic in Cosí fan tutte (Cambridge Studies in Opera) : the philosophical, pastorale, and comic in Cosi fan tutte / Edmund J. Goehring ; Edmund Joseph Goehring
Main Author Edmund J. Goehring Secondary Author Goehring, Edmund Joseph Language Inglês. Publication GB : Cambridge University Press, 2004Description 320p. Series Cambridge studies in opera ISBN 0521838819 Abstract Cosi fan tutte is widely regarded as Mozart's most enigmatic opera with Lorenzo Da Ponte's most erudite text. Edmund Goehring presents a new perspective on the relationships between text and tone in the opera, the tension between comedy and philosophy as well as its representation in stage works, and the pastoral mode. Goehring's argument is sustained by the detailed analysis of primary sources (many of which are little known), and is richly illustrated with musical examples. Subjects Ópera CBC ML410.M9G65 2004
| Item type | Library | Location | Form | Call number | Copy number | Status | Direct Acess | Date due | Fund | Barcode |
|---|---|---|---|---|---|---|---|---|---|---|
| Book | Biblioteca Vitorino Magalhães Godinho | Sala de Leitura | CESEM MA 314 | 1 | Available | 1743CESEM |
Cosi fan tutte is widely regarded as Mozart's most enigmatic opera with Lorenzo Da Ponte's most erudite text. Edmund Goehring presents a new perspective on the relationships between text and tone in the opera, the tension between comedy and philosophy as well as its representation in stage works, and the pastoral mode. Goehring's argument is sustained by the detailed analysis of primary sources (many of which are little known), and is richly illustrated with musical examples.
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