With voice and pen : coming to know medieval song and how it was made / Leo Treitler
Main Author Treitler, Leo, 1931- Language Inglês. Publication Oxford : Oxford University Press, 2003.Description xxx, 506 p. : ill. ; 24 cm. + 1 sound disc (digital ; 4 3/4 in.) ISBN 0198166443 Contents note Medieval improvisation -- Written music and oral music : improvisation in medieval performance -- The Vatican organum treatise and the organum of Notre Dame of Paris : perspectives on the development of a literate music culture in Europe -- Peripheral and central -- On the structure of the Alleluia melisma : a Western tendency in Western chant? -- Homer and Gregory : the transmission of epic poetry and plainchant -- Centonate chant : U¨bles Flickwerk or e pluribus unus? -- Lingering questions about oral literature -- The politics of reception : tailoring the present as fulfilment of a desired past -- Oral, written, and literate process in the music of the Middle Ages -- Observations on the transmission of some Aquitanian tropes -- History and ontology of the musical work -- The early history of music writing in the West -- Reading and singing : on the genesis of Occidental music writing -- Speaking of Jesus -- Medieval music and language -- The marriage of poetry and music in Medieval song. Subjects História e crítica
500-1400
Música vocal
História
Até 1500
Música e Literatura CBC ML1402 Online Resources Click here to access the eletronic resource http://www.loc.gov/catdir/enhancements/fy0613/2002192579-d.html
Click here to access the eletronic resource http://www.loc.gov/catdir/enhancements/fy0613/2002192579-t.html
Click here to access the eletronic resource http://www.loc.gov/catdir/enhancements/fy0723/2002192579-b.html
| Item type | Library | Location | Form | Call number | Copy number | Status | Direct Acess | Date due | Fund | Barcode |
|---|---|---|---|---|---|---|---|---|---|---|
| Book | Biblioteca Vitorino Magalhães Godinho | Sala de Leitura | CESEM HM1 62 | 1 | Available | Fundo Geral | 922CESEM |
Includes bibliographical references (p. [483]-496) and index.
Medieval improvisation -- Written music and oral music : improvisation in medieval performance -- The Vatican organum treatise and the organum of Notre Dame of Paris : perspectives on the development of a literate music culture in Europe -- Peripheral and central -- On the structure of the Alleluia melisma : a Western tendency in Western chant? -- Homer and Gregory : the transmission of epic poetry and plainchant -- Centonate chant : U¨bles Flickwerk or e pluribus unus? -- Lingering questions about oral literature -- The politics of reception : tailoring the present as fulfilment of a desired past -- Oral, written, and literate process in the music of the Middle Ages -- Observations on the transmission of some Aquitanian tropes -- History and ontology of the musical work -- The early history of music writing in the West -- Reading and singing : on the genesis of Occidental music writing -- Speaking of Jesus -- Medieval music and language -- The marriage of poetry and music in Medieval song.
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