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| 001 | 155852 | ||
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| 100 | _a20090214a2008 k y0pory50 ba | ||
| 101 | 0 | _aeng | |
| 102 | _aPT | ||
| 200 | 1 |
_aCommunication in Eighteenth-Century Music _fKofi Agawu _gEdited by Danuta Mirka |
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| 210 |
_a[s.l] _cCambridge University Press _d2008 |
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| 215 | _a360p. | ||
| 330 | _aWritten by ten leading scholars, this volume assembles studies of eighteenth- and early nineteenth-century music under the broad rubric of communication. That such an impulse motivates musical composition and performance in this period of European musical history is often acknowledged but seldom examined in depth. The book explores a broad set of issues, ranging from the exigencies of the market for books and music in the eighteenth century through to the deployment of dance topoi in musical composition. A number of close readings of individual works by Mozart, Haydn and Beethoven draw on a sophisticated body of historically-appropriate technical resources to illuminate theories of form, metre, bass lines and dance topoi. Students and scholars of music history, theory and analysis will find in this volume a set of challenging, state-of-the-art essays that will stimulate debate about musical meaning and engender further study. | ||
| 606 |
_913246 _aComunicação |
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| 606 |
_949766 _aSéc. 18 |
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| 606 |
_937984 _aMúsica |
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| 676 | _a780.9033 | ||
| 700 | 1 |
_976158 _aAgawu, _bVictor Kofi, _f1956- |
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| 702 | 1 |
_9174745 _aMirka, _bDanuta _4340 |
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| 801 |
_aPT _bCESEM _c20090214 |
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| 859 | _u/Users/cesem/Library/Application Support/Book Collector/Images/Communication in Eighteenth-Century Musi18484_f.jpg | ||
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_a152394 _c2021-07-08 _bUNL-FCSH - GLOBAL |
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