000 01624nam0a22003010004500
001 155933
010 _a0521622190
090 _a155933
100 _a20090214a2003 k y0pory50 ba
101 0 _aeng
102 _aPT
200 1 _aPoetry and music in medieval France from Jean Renart to Guillaume de Machaut (Cambridge Studies in Medieval Literature)
_efrom Jean Renart to Guillaume de Machaut
_fArdis Butterfield
210 _a[s.l]
_cCambridge University Press
_d2003
215 _a398p.
225 2 _aCambridge studies in medieval literature
330 _aArdis Butterfield examines the relationship between the poetry and music of medieval France. Beginning when French song was first set into writing in the early thirteenth century, Butterfield describes the wide range of contexts in which secular songs were quoted and copied. Including narrative romances, satires and love poems, the book reveals the development of French song and narrative genres during a significant period of history.
606 _935571
_aMensural notation
606 _938272
_aMusic and literature - History
606 _942965
_aPoetry, Medieval - History and criticism
606 _954915
_aTroubadour songs - History and criticism
606 _954919
_aTrouvère songs - History and criticism
676 _a841.1
680 _aML3849.B97 2002
700 1 _997954
_aButterfield
_bArdis,
801 _aPT
_bCESEM
_c20090214
859 _u/Users/cesem/Library/Application Support/Book Collector/Images/Poetry and Music in Medieval France: Fro14036_f.jpg
942 _n0
_cMON
999 _a152475
_c2021-07-08
_bUNL-FCSH - GLOBAL