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| 001 | 156009 | ||
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| 100 | _a20090214a2004 k y0pory50 ba | ||
| 101 | 0 | _aeng | |
| 102 | _aPT | ||
| 200 | 1 |
_aThree Modes of Perception in Mozart The Philosophical, Pastoral, and Comic in Cosí fan tutte (Cambridge Studies in Opera) _ethe philosophical, pastorale, and comic in Cosi fan tutte _fEdmund J. Goehring _gEdmund Joseph Goehring |
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| 210 |
_aGB _cCambridge University Press _d2004 |
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| 215 | _a320p. | ||
| 225 | 2 | _aCambridge studies in opera | |
| 330 | _aCosi fan tutte is widely regarded as Mozart's most enigmatic opera with Lorenzo Da Ponte's most erudite text. Edmund Goehring presents a new perspective on the relationships between text and tone in the opera, the tension between comedy and philosophy as well as its representation in stage works, and the pastoral mode. Goehring's argument is sustained by the detailed analysis of primary sources (many of which are little known), and is richly illustrated with musical examples. | ||
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_939893 _aÓpera |
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| 676 | _a782.1 | ||
| 680 | _aML410.M9G65 2004 | ||
| 700 | 0 |
_9120306 _aEdmund J. Goehring |
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| 702 | 0 |
_9120307 _aGoehring, _bEdmund Joseph |
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| 801 |
_aPT _bCESEM _c20090214 |
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| 859 | _u/Users/cesem/Library/Application Support/Book Collector/Images/Three Modes of Perception in Mozart: The16981_f.jpg | ||
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_n0 _cMON |
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_a152551 _c2021-07-08 _bUNL-FCSH - GLOBAL |
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