000			02205nam0a22003730004500
001			156137
010			_a0521834376
090			_a156137
100			_a20090214a2005 k y0pory50 ba
101	0		_aeng
102			_aPT
200	1		_aLandscape and Gender in Italian Opera The Alpine Virgin from Bellini to Puccini (Cambridge Studies in Opera) _ethe Alpine virgin from Bellini to Puccini _fEmanuele Senici
210			_a[s.l] _cCambridge University Press _d2005
215			_a366p.
225	2		_aCambridge studies in opera
330			_aIn this unusual study, Emanuele Senici explores the connection between landscape and gender in Italian opera through the emblematic figure of the Alpine virgin. In the nineteenth century, operas portraying an emphatically virginal heroine, a woman defined by her virginity, were often set in the mountains, most frequently the Alps. The clarity of the sky, the whiteness of the snow and the purity of the air were associated with the innocence of the female protagonist. Senici discusses a number of works particularly relevant to the origins, transformations and meanings of this conventional association including Bellinis La sonnambula (1831), Donizettis Linda di Chamounix (1842), Verdis Luisa Miller (1849), and Puccinis La fanciulla del West (1910). This convention presents an unusual point of view - a theme rather than a composer, a librettist, a singer or a genre - from which to observe Italian opera at work over a century.
606			_926164 _aHeroines in opera
606			_937298 _aMountains - Symbolic aspects
606			_937297 _aMountains in opera
606			_939893 _aÓpera
606			_956258 _aVirginity in opera
606			_926161 _aHeroínas na ópera
606			_97597 _aAspectos simbólicos
606			_936902 _aMontanhas
606			_936904 _aMontanhas na ópera
606			_939893 _aÓpera
606			_921566 _aEstudos de género
676			_a782.1/0945/09034
680			_aML1733.4.S46 2005
700		1	_9211935 _aSenici, _bEmanuele, _f1967-
801			_aPT _bCESEM _c20090214
859			_u/Users/cesem/Library/Application Support/Book Collector/Images/Landscape and Gender in Italian Opera: T12518_f.jpg
942			_n0 _cMON
999			_a152679 _c2021-07-08 _bUNL-FCSH - GLOBAL