000 02536nam0a22004210004500
001 156280
005 20240422214817.0
010 _a0198166443
100 _a20150129a2003 k y0pory50 ba
101 0 _aeng
102 _aGB
200 1 _aWith voice and pen
_ecoming to know medieval song and how it was made
_fLeo Treitler
210 _aOxford
_cOxford University Press
_d2003.
215 _axxx, 506 p.
_cill.
_d24 cm.
_e1 sound disc (digital ; 4 3/4 in.)
320 _aIncludes bibliographical references (p. [483]-496) and index.
327 0 _aMedieval improvisation -- Written music and oral music : improvisation in medieval performance -- The Vatican organum treatise and the organum of Notre Dame of Paris : perspectives on the development of a literate music culture in Europe -- Peripheral and central -- On the structure of the Alleluia melisma : a Western tendency in Western chant? -- Homer and Gregory : the transmission of epic poetry and plainchant -- Centonate chant : U¨bles Flickwerk or e pluribus unus? -- Lingering questions about oral literature -- The politics of reception : tailoring the present as fulfilment of a desired past -- Oral, written, and literate process in the music of the Middle Ages -- Observations on the transmission of some Aquitanian tropes -- History and ontology of the musical work -- The early history of music writing in the West -- Reading and singing : on the genesis of Occidental music writing -- Speaking of Jesus -- Medieval music and language -- The marriage of poetry and music in Medieval song.
606 _927232
_aHistória e crítica
606 _94120
_a500-1400
606 _938392
_aMúsica vocal
606 _926331
_aHistória
606 _97800
_aAté 1500
606 _938118
_aMúsica e Literatura
675 _vBN
_zpor
676 _a782.42/09/02
_v21
680 0 0 _aML1402
_b.T73 2003
700 1 _9225004
_aTreitler,
_bLeo,
_f1931-
801 _aPT
_bCESEM
_c20090915
_gRPC
856 4 _uhttp://www.loc.gov/catdir/enhancements/fy0613/2002192579-d.html
856 4 1 _uhttp://www.loc.gov/catdir/enhancements/fy0613/2002192579-t.html
856 4 2 _uhttp://www.loc.gov/catdir/enhancements/fy0723/2002192579-b.html
090 _a156280
942 _n0
_cMON
999 _a152822
_c2021-07-08
_bUNL-FCSH - GLOBAL
_d922