000 | 01372nam0a22003610004500 | ||
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001 | 156395 | ||
005 | 20240422214821.0 | ||
010 | _a9780195386714 | ||
090 | _a156395 | ||
100 | _a20150129a k y0pory50 ba | ||
200 | 1 |
_aChanging the score _earias, prima donnas, and the authority of performance _fHilary Poriss. |
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210 |
_aNew York _cOxford University Press _dc2008. |
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211 | _a0909 | ||
215 | _ap. cm. | ||
320 | _aIncludes bibliographical references and index. | ||
327 | 0 | _aA discourse of change -- Selecting a perfect entrance : Carolina Ungher and Marino Falier -- Making their way through the world : Italian one-hit wonders -- Maria Malibran, i Capuleti e i Montecchi, and a tale of suicide -- Che vuol cantare? The lesson scene of Il barbiere di Siviglia -- An insertion aria speaks. | |
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_931254 _aItaly |
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_949796 _aSéc. 19 |
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_939893 _aÓpera |
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_941971 _aPerformance |
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_931254 _aItaly |
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_949796 _aSéc. 19 |
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_939943 _aÓperas |
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606 |
_931237 _aItália |
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606 |
_949796 _aSéc. 19 |
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_939893 _aÓpera |
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660 | _ae-it--- | ||
676 |
_a782.10945/09034 _v22 |
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680 | 0 | 0 |
_aML1733.4 _b.P67 2008 |
700 | 1 |
_9193645 _aPoriss, _bHilary. |
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801 |
_aPT _bCESEM _c20091008 |
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942 |
_n0 _cMON |
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_a152937 _c2021-07-08 _bUNL-FCSH - GLOBAL _dAMS studies in music |