| 000 | 01111naa0a22002890004500 | ||
|---|---|---|---|
| 001 | 174207 | ||
| 090 | _a174207 | ||
| 100 | _a20101123d2003 k y0pory5003 ba | ||
| 101 | 0 | _aeng | |
| 102 | _aUS | ||
| 200 | 1 |
_aHow to make mistakes on so many things at once - and become famous for it _fAntoine Hennion e Bruno Latour |
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| 463 | 1 |
_aEd. Hans Ulrich Gumbrecht e Michael Marrinan _tMapping Benjamin : the work of art in the digital age _bStandford University Press _cStandford _d2003 _pp. 91-97 |
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| 600 | 1 |
_989240 _aBenjamin, _bWalter, _f1892-1940 _39283 |
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| 605 |
_a<Das >Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit _k1935 _xDinâmica conceptual |
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| 606 |
_97934 _aAura |
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| 606 |
_97170 _aArte e religião |
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| 606 |
_97178 _aArte e tecnologia |
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| 606 |
_947755 _aReprodutibilidade |
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| 606 |
_939580 _aObra de arte |
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| 606 |
_97964 _aAutenticidade |
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| 606 |
_98086 _aAutoria |
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| 606 |
_915486 _aCrítica da modernidade |
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| 675 |
_a316.7:7 _vBN _zpor |
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| 700 | 1 |
_9143207 _aHennion, _bAntoine, _f1952- |
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| 701 | 1 |
_9155894 _aLatour, _bBruno _4070 |
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| 942 |
_cANA _n0 |
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| 999 |
_a170749 _c2021-07-08 _bUNL-FCSH - GLOBAL _d20101123165403 |
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