| 000 | 01057naa0a22002650004500 | ||
|---|---|---|---|
| 001 | 174212 | ||
| 090 | _a174212 | ||
| 100 | _a20101123d2003 k y0pory5003 ba | ||
| 101 | 0 | _aeng | |
| 102 | _aUS | ||
| 200 | 1 |
_aConcerning two "Encounters" with Walter Benjamin _ethe reproducibility of art _fPaul Zumthor |
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| 463 | 1 |
_aEd. Hans Ulrich Gumbrecht e Michael Marrinan _tMapping Benjamin : the work of art in the digital age _bStandford University Press _cStandford _d2003 _pp. 142-146 |
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| 500 | 1 | 0 | _aConcerning two Encounters with Walter Benjamin |
| 600 | 1 |
_989240 _aBenjamin, _bWalter, _f1892-1940 _39283 |
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| 605 |
_a<Das >Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit _k1935 _xDinâmica conceptual |
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| 606 |
_947755 _aReprodutibilidade |
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| 606 |
_939580 _aObra de arte |
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| 606 |
_97934 _aAura |
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| 606 |
_98985 _aBibliofilia |
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| 606 |
_97106 _aArte de massas |
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| 606 |
_944479 _aPrevisão histórica |
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| 675 |
_a316.7:7 _vBN _zpor |
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| 700 | 1 |
_9235703 _aZumthor, _bPaul, _f1915-1995 |
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| 942 |
_cANA _n0 |
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| 999 |
_a170754 _c2021-07-08 _bUNL-FCSH - GLOBAL _d20101123165403 |
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