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| 100 | _a20240913d2024 u||y0pory50 ba | ||
| 101 | 0 | _aeng | |
| 102 | _aUS | ||
| 200 | 1 |
_aScreening the operatic stage _etelevision and beyond _fChristopher Morris |
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| 210 |
_aChicago _cUniversity of Chicago Press _d2024 |
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| 215 |
_aXI, 256 p. _cil. _d23 cm |
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| 225 | 2 |
_aOperaLab _eExplorations in history, technology, and performance _fedited by David J. Levin and Mary Ann Smart |
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| 606 |
_937984 _aMúsica |
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| 606 |
_9260972 _aÓpera (Música) |
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| 606 |
_941971 _aPerformance |
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| 606 |
_953135 _aTelevisão |
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| 606 |
_945964 _aRadiodifusão |
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| 606 |
_949903 _aSéc. 20-21 |
||
| 675 |
_a782"19/20" _vBN _zpor |
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| 700 | 1 |
_9177502 _aMorris, _bChristopher, _f1966- |
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| 801 |
_aPT _bUNLFCSH _gRPC |
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| 090 | _a225754 | ||
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