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| 090 | _a23925 | ||
| 100 | _a20040812d1984 k y0pory5003 ba | ||
| 101 | 0 | _aeng | |
| 102 | _aDE | ||
| 200 | 1 |
_aPoint of view in the cinema _ea theory of narration and subjectivity in classical film _fEdward Branigan _gforeword by David Bordwell |
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| 210 |
_aBerlin _cMouton _dcop. 1984 |
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| 215 |
_a246 p. _cil. _d24 cm |
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| 225 | 2 |
_aApproaches to Semiotics _v66 |
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| 606 |
_911926 _aCinema |
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| 606 |
_938671 _aNarrativa cinematográfica |
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| 606 |
_952463 _aSubjectividade |
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| 606 |
_950747 _aSemiologia |
||
| 675 |
_a791.62 _vBN _zpor |
||
| 686 | _a791.6 BRA | ||
| 700 | 1 |
_995213 _aBranigan, _bEdward, _f1945- |
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| 702 | 1 |
_993223 _aBordwell, _bDavid, _f1947- _4080 |
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| 801 | 0 |
_aPT _bUNLCSH _gRPC |
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| 942 |
_n0 _cMON |
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| 999 |
_a20467 _c2021-07-08 _bUNL-FCSH - GLOBAL _dUNLFCSH2015040208211421340 |
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