000 | 02932nam a22004810004500 | ||
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001 | 90808 | ||
010 |
_bEncadernado _doferta |
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090 | _a90808 | ||
100 | _a20131029d1985 k y0pory5003 ba | ||
101 | 0 | _aeng | |
102 | _aUS | ||
200 | 1 |
_aThe Garland library of the history of Western music _fgeneral editor Ellen Rosand |
|
210 |
_aNew York _aLondon _cGarland Publishing _d1985 |
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215 |
_a14 vol. _cil., ex. mus. : _d29 cm |
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300 | _aEm falta os volumes 1 e 10 | ||
327 | 0 |
_aVol. 2: Medieval music II: polyphony. - [10], 364 p. - ISBN 0-8240-7451-3 _aVol. 3: Renaissance music, part. 1. - 424 p. - ISBN 0-8240-7452-1 _aVol. 4: Renaissance music, part. 2. - 345 p. - ISBN 0-8240-7453- X _aVol. 5: Baroque music I: seventeenth century. - [10], 313 p. - ISBN 0-8240-7454-8 _aVol. 6: Baroque music II: eighteenth century. - [10], 301 p. - ISBN 0-8240-7455-6 _aVol. 7: Classic musique. - [10], 305 p. - ISBN 0-8240-7456-4 _aVol. 8: Eighteenth- and nineteenth-century source studies. - [10], 337 p. - ISBN 0-8240-7457-2 _aVol. 9: Nineteenth-century music. - [10], 289 p. - ISBN 0-8240-7458-0 _aVol. 11:Opera I: up to Mozart. - [10], 354 p. - ISBN 0-8240-7460-2 _aVol. 12: OperaII: Mozart and after. - [10], 343 p. - ISBN 0-8240-7461-0 _aVol. 13: Criticism and analysis. - [10], 339 p. - ISBN 0-8240-7462-9 _aVol. 14: Approaches to tonal analysis. - [10], 385 p. - ISBN 0-8240-7463-7 |
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517 | 1 | _a<Medieval music> | |
517 | 1 | _a<Renaissance music> | |
517 | 1 | _a<Baroque Music> | |
517 | 1 | _a<Classic musique> | |
517 | 1 | _a<Eighteenth- and Nineteenth-Century source studies> | |
517 | 1 | _a<Nineteenth-Century Music> | |
517 | 1 | _a<Opera> | |
517 | 1 | _a<Criticism and analysis> | |
517 | 1 | _a<Approaches to tonal analysis> | |
606 |
_937984 _aMúsica |
||
606 |
_919577 _aEnciclopédias |
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675 |
_a78(031) _vBN _zpor |
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702 | 1 |
_9203527 _aRosand, _bEllen _4340 |
|
801 |
_aPT _bUNLFCSH _c20131029 _gRPC |
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942 |
_n0 _cMON |
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999 |
_a87350 _c2021-07-08 _bUNL-FCSH - GLOBAL _dUNLFCSH2015040208532389860 |